POWERS COMIC BOOK

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Powers is an American creator-owned police procedural comic book series by writer Brian Michael Bendis and artist Michael Avon Oeming. The series' first. Anyway, we are here to speak about Powers, the comic books, not that horrendous TV adaptation with Sharlto Copley – Let's hope that thing. bestthing.info: Welcome to the Official Site for DC. DC is home to the "World's Greatest Super Heroes,” including SUPERMAN, BATMAN, WONDER WOMAN.


Powers Comic Book

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Powers is a comic book series originally created by writer Brian Michael Bendis and artist Michael Avon Oeming in It was originally published by Image. 9 Results bestthing.info is the source for Marvel comics, digital comics, comic strips, and more featuring Iron Man, Spider-Man, Hulk, X-Men and all your favorite. Powers, Vol. 1 book. Read reviews from the world's largest community for Published August 29th by Image Comics (first published September 1st.

People just don't go around murdering superheroes. But this time someone did. This was part police procedural, part superhero comic, and part super awesome! I can't wait to read the rest of this. Nov 23, Rauf rated it liked it Shelves: It's a murder mystery in a world like ours but full of people with superpowers.

It starts out alright. The indestructible Retro Girl is found dead. Detectives Christian Walker and Deena Pilgrim try to find out who did it. My favorite part is when the police couldn't perform an autopsy on Retro Girl's corpse Nothing can pierces her skin.

At one point they even apply a blowtorch on her and still her skin is unscathed.

Powers (2009 - 2012)

And when Walker and Pilgrim asked the parody of famous superheroes and villain It's a murder mystery in a world like ours but full of people with superpowers. And when Walker and Pilgrim asked the parody of famous superheroes and villains about Khaotic Chic.

The dialogues are also really good. I always love a good banter. I didn't like the ending though.

Recommended Series

It reeked of deus ex machina. And one of the great things about reading a murder mystery is as we read, we always try to guess who the killer is by reading all the clues. Brian Michael Bendis, however, didn't put that much clues and suspects. I didn't feel involved with the pursuit. Plus the artwork is kind of sloppy sometimes.

Still an OK read, though because Who killed Retro Girl? All of America is asking themselves this question on the day the body of Retro Girl, a globally beloved superhero and American sweetheart, is found, throat slit and neck broken, outside an elementary school in the city she worked and presumably lived in.

Retro Girl's somewhat dangerous ties to crime boss Jonny Royalle come into question, her relationships with various other superheroes, and Her relationship with Detective Walker all come under the microscope as the hunt for her killer drags on.

Walker works alone, Deena idolizes him. Can their partnership ever work? And if it does, can they ever find out who burned out their city's star? Powers has been on my TBR for almost two years. One of the first books I marked as 'to-read', actually. Don't ask me why it took me so long, because I do not have an answer for you. The story is timeless. A superhero dies, a nation mourns, and their killer must be brought to justice.

You can't really get burnt out on this storyline, it's gripping. The characters are deep and personal, the dialogue is priceless, and the story is tight.

Nothing to complain about and a lot to praise- hence the five stars. Art specs Pat Garrahy respect these artists by knowing their names, people is a master. My favorite comic artist is John Romita Jr. My inner eight-year-old is losing her mind because this freaking looks like the DC and Marvel cartoons that filled my childhood years when I wasn't watching Japanese action cartoons or Loony Toons. Hence my 'violent personality', if you ask my family.

I grew up in the 's, when this book was published. I can clearly see where all those animators got their inspiration from. Garrahy is amazing, and I can't do anything but praise his work. Know the names, people. It doesn't take much. This comic is a must-read for any crime fiction or superhero fan, and I must recommend this amazing volume.

It isn't one of the hardcover 'definitive' editions, but it does include concept art and the introductory Powers comic strip that was used to promote the comic before the first issue dropped. And to have worked so hard and still have nothing, it kills me. This is 96 of the top graphic novels list.

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I loved this interesting new telling of the super-hero world. Heroes can lose their powers at any time, invulnerable heroes can be killed.

Even the villains can occasionally be helpful. Christian is the powerful detective leading an investigation in the death of the most popular hero ever, Retro Girl. He also acquires a young girl who was the victim of a hostage situation. He ends up kind of babysitting her while waiting for an absent CPS This is 96 of the top graphic novels list. He ends up kind of babysitting her while waiting for an absent CPS that never shows up.

Deena Pilgrim, Christian's brand new partner in his investigations. She is cute, sweet, and very inquisitive. Sharper than Christian believes, and much more bull-dogged than he wishes her to be. She also wears belly shirts, which is awesome, because she's hot and cute at the same time.

Their case takes them through 32 super-heroes, and 32 super-villains. They end up questioning a teleporter based on a hotshot up and coming detectives hubris. The surprise reveal of the killer is kind of a let down, but the end is really cool.

I hear there's a TV show, maybe I'll check that out too. My first introduction to Bendis's creator owned work and it's rather good. The art is simplistic but it grows on you.

I have to read more of this before I make a definitive opinion. Mar 24, Jedhua rated it liked it Shelves: Book Info: This collection contains Powers issues Other Useful Reviews: Retro Girl , venerated detective Christian Walker is tasked with investigating the incident.

Together with his gutsy new partner, Deena Pilgrim, the two find themselves faced with arguably the biggest case of their careers, and must outmaneuver the efforts of a rival dete Book Info: Together with his gutsy new partner, Deena Pilgrim, the two find themselves faced with arguably the biggest case of their careers, and must outmaneuver the efforts of a rival detective determined to take over their case. With the eyes of the entire country watching, and left with a lack of workable leads, the case proves extremely challenging.

But as the investigation proceeds, Deena becomes increasingly suspicious Walker is hiding something, and the further they get the more it looks like Walker himself holds the key to solving the entire thing. Let's just get that out of the way. I think it's much better to say that it's a distinctive and unusual style, but it's simply not how people talk; I'm not saying that the writer is on the wrong track here, but his approach doesn't seem completely accurate.

The way I see it, Bendis has merely taken certain aspects of human interaction not often portrayed in comics and plays them out to the extreme. Few people I know of pointlessly interrupt one another as often as Bendis' characters, nor do they repeatedly parrot back what the other person said in question form to check if they heard right.

And I think in his pursuit to accomplish this effect, he also made several other more subtle errors, but for my purposes, I think just those two points are more than enough to debunk that claim. In fact, compared to other top comic authors, I'm hesitant to make the claim that Bendis' dialogue is any more realistic than the norm. That said, do I enjoy Bendis' style? Not really, no — at least not in its more undiluted form. But I think if you're like me, the issues following the first one and a half should be less taxing to get through.

I think because Bendis had certain goals for plot setup and characterization, the comparatively oppressive amount of text in the first issue could largely be attributed to that. But then again, very much of it was trivial banter unrelated to the main plot, and I couldn't help but feel as if Bendis was trying to show off his "skills" in the first issue-and-a-half to hook readers early.

Needless to say, I wasn't impressed, and I found his technique to be tiresome, awkward, and redundant.

But after all my criticism, I will concede that Bendis has got a pretty decent sense of humor. And even though I felt like he was trying too hard to include as many quips as he could nearly wherever he could , there were several times I couldn't help but genuinely laugh at some of the jokes.

My only problem is that the frequency of gags was a little higher than I would have liked. If I were him, I would have gone further down the road of black humor than the traditional stuff; it clashes less or mixes better with everything else he had going on. I felt the brief TV news excerpts included throughout the volume did a good job providing insight into what Retro Girl meant to the people she protected, but they were not enough to make me actually care, and actually became a little repetitive with time.

Perhaps one thing Bendis could have done to rectify this shortcoming and several others would have been to cut down on some of the extraneous junk mixed-in with the main plot, and save some of the more useful material for later volumes.

I'd prefer not to spoil too much by going into excessive detail here, but I will say that Calista was one of the main culprits. I mean, yeah, she did offer some solid comic relief, and she was very cute and likable, but this didn't do enough to justify her extensive involvement in the story. After a pretty strong and exciting opening, this book started to go downhill bit by bit. Some of his strongest attempts to combat this were included in the news snippets — particularly in the second issue — and his ideas for the history and characters of the world of Powers certainly does hold significant promise.

And unlike Gotham Central , this book somehow also manages to benefit from a modicum of the spontaneity and excitement of a typical superhero comic, even despite it's focus on law enforcement. Unfortunately, when it came to that part of the book dealing with Deena's suspicions about Walker, the clues became more and more obvious to the point that I figured out Walker's secret a full issue before it was revealed.

It was pretty damn obvious. One clear thing I can say the book excelled at was the illustration. This book is one of the several examples of a comic whose artwork I initially disliked but grew to appreciate upon rediscovery.

I'm not normally impressed by cartoonish art, but Oeming's contribution lent itself well to Bendis' wit, and provided some really fun action scenes. I was especially impressed with the artistic decision to opt for a first-person vantage point during the police door breaches. It almost felt as if I was watching a crime thriller on the big screen at a theater.

Powers, Vol. 1: Who Killed Retro Girl?

Thrilling stuff! That is definitely something I should be seeing more of, assuming Oeming didn't copyright it or something since then. I clearly wasn't crazy about the book, but I get that Bendis' heart was in the right place when he wrote it. One part of me wants to stick around long enough to see this series grow and develop some of the foundation that's established here, but 3 stars may not turn out to be high enough a rating to convince me.

And it's so sad too, because I really, really tried to like this more. I honestly did. At the end, I found the eventual reveal of the actual murder culprit not to be very satisfying or memorable. It just turned out to be some random crazy guy with a fairly typical motive. I wouldn't go so far as to call that a negative, but it surely wasn't a positive either.

How to read the Powers comics?

But coming after issue six, Bendis does provide a supplemental murder story that actually does the exact same thing but worse , so I can't say I came out of this with high expectations about this series' murderers.

And finally, I really don't get the deux ex machina accusations going around about this book's conclusion.

I know it's a cool term, but let's not overuse it. Yes, it was unexpected, but it wasn't particularly convenient or contrived. To me, it only made the end more interesting, and set things up nicely for future arcs.

I couldn't even identify any box the writer trapped himself in, so I don't honestly see the need for a cheap exit. View 2 comments. Bendis' mash-up of the noir and super genres was at the time quite innovative, and even today it remains one of the best. That's in large part thanks to Bendis' strong, fun writing paired with Oeming's great, stylized artwork.

The heart of the book is the characters. They immediately leap off the page and make you want to learn more about Walker, Deena, and even Callista who seems like just a one-off here, but would take on greater importance throughout the series. What's particularly notable i Bendis' mash-up of the noir and super genres was at the time quite innovative, and even today it remains one of the best. What's particularly notable is how much of Walker and Callista's future was foreshadowed right here in this first volume.

As for the story: There are no surprise twists, just a slow walk forward on the evidence. It's actually the weakest part of the storyline, as no one figures out that the graffiti might be important until the end of issue three. But perhaps that's just an issue with the artwork making it a little too obvious.

Powers (comics)

Overall, an extremely strong beginning for a great new series. Jul 20, Sidekicks Wanted rated it really liked it Shelves: I'm slowly coming to the realization that I am a fan of Bendis.

I'm bad about looking to see who wrote the book, I'm more likely to read a character. I'm glad that I noticed that I tend to like Bendis. I can't wait to read the rest of I'm slowly coming to the realization that I am a fan of Bendis.

May 11, Summer rated it did not like it Shelves: The anemic and obvious writing is only overshadowed by the nauseating copy-and-paste art of the "Anatomy? What's that? If you want to read a good heroes-and-cops book, pass this one up completely and read Alan Moore's Top 10 instead. It's got fantastic writing and gorgeous artwork. Finishing Powers was seriously a chore. View all 7 comments. Feb 23, Michael Cairns rated it it was amazing Shelves: Ace, fantastic, brilliant.

Great artwork and witty dialogue. The whole arc acts as a great intro to the series, using some of the techniques pioneered by Moore in Watchmen, and using them well. The story itself is simple, but tragically real, and puts a great spin on a number of superhero tropes.

Great stuff, now for the rest of the series. Jan 14, Artemy rated it really liked it Shelves: Powers vol. Not the best thing by Bendis I've read so far the best would probably be Alias, with Scarlet a close second , but it's just volume one, and I am really interested to see where this story will go in the following books. Three stars might be a bit unfair, since the writing and characterization were really top notch. I'd say this is just a purely personal rating given because at times I felt like things were dragging on too long.

Four pages devoted to nameless characters saying variations of "no"? I get the point, but it was wasted space for me. May 20, Doug rated it liked it. Started out fantastic. Superheroes meet crime comics; character art is a little bit Samurai Jack.

Dialog is Mamet knock-off which is really fun here. But man, does it just fizzle out by the end. Great set up, sucky sucky plot resolution.

Aug 15, Simone rated it it was amazing. Se volete leggere la mia recensione, cliccate qui! Jan 25, Phil Bova rated it it was amazing Shelves: Why I haven't read this title before now is beyond me. Love the artistry in the characters. Has its own unique style. Story line is great The extra darkness gave it a more serious edge that I think was beneficial for the story but not necessarily for my enjoyment of the art. There were just too many words, it felt disruptive, like I had to stop looking at the main event to read a ton of exposition.

I also had some issues with the dialogue at first. I think Deena and Walker will be a good partnership. The last third of the volume being behind the scenes extras was kind of wasted on me. Jun 15, Terry Murphy rated it really liked it. It was one of the first times I dares pull something "independant" from a shop, rather than just grabbing something with capes. It was an introduction to Bendis and Oeming, and really scratched an itch I didn't know I had till then.

Reading it now so many years later, I still enjoy the beats of the story, I dig Bendis' loopy dialogue and Oeming's sparse style. I never finished the series, and I look forward to making my way through the whole thing this time. Powers Television Show 3 9 Oct 14, Readers also enjoyed. Graphic Novels Comics. About Brian Michael Bendis. Brian Michael Bendis.

A comic book writer and erstwhile artist. He has won critical acclaim including five Eisner Awards and is one of the most successful writers working in mainstream comics. Though he started as a writer and artist of independent noir fiction series, he shot A comic book writer and erstwhile artist.

From the Eisner Award-winning team of writer Brian Michael Bendis and artist Michael Avon Oeming comes a superhero noir crime drama set in a world where superheroes are real!

BOOK ONE re-collects issues of the original groundbreaking series with an extensive behind-the-scenes section about the creation of the series.

In a world where heroes soar through the sky, detectives Christian Walker and Deena Pilgrim deal with special cases that include powers. As shocking truths about Retro Girl come to light, Walker finds that to solve this crime, he might have to reveal his own dark secret.

Graphic Novel. Available download Now. Print Digital Find A Store. BOOK ONE re-collects issues of the original groundbreaking series with an extensive behind-the-scenes section about the creation of the series In a world where heroes soar through the sky, detectives Christian Walker and Deena Pilgrim deal with special cases that include powers. Talent Art by: Michael Avon Oeming.Past-Life Memories : Walker and Billy Mace only remember bits and pieces of their millennia-long lives. Some of his strongest attempts to combat this were included in the news snippets — particularly in the second issue — and his ideas for the history and characters of the world of Powers certainly does hold significant promise.

The character development is pretty well-done. They end up questioning a teleporter based on a hotshot up and coming detectives hubris. Thanks for telling us about the problem. So there's that. One part of me wants to stick around long enough to see this series grow and develop some of the foundation that's established here, but 3 stars may not turn out to be high enough a rating to convince me. Detective Christian Walker hides a past that is interconnected with superheroes who are involved in the latest murder case, Retro Girl, a seemingly invulnerable crimefighter who is found with her throat slit in a playground underneath a spray-painted phrase, "Kaotic Chick.

As shocking truths about Retro Girl come to light, Walker finds that to solve this crime, he might have to reveal his own dark secret. Listen to me.

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