BLUES GUITAR PDF

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Legacy Learning Systems, Inc. All Rights Reserved. We, Legacy Learning Systems, grant permission to print and copy the Blues Guitar Book as needed for . Beginning Blues Guitar ** Acoustic Blues ** Electric Blues ** Acoustic Texas PDF-File. If you want to make a short cut It's Easy To Fake Blues Guitar by. lead guitar techniques, learning the fretboard, music theory,scales, and the world of playing over chord . The Minor Pentatonic Blues scale all five box scales.


Blues Guitar Pdf

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Views 36MB Size Report. DOWNLOAD PDF Chicago Blues Guitar (Guitar Books). Read more Ultimate Guitar Blues Play-Along (Guitar Trax) · Read more . So you are starting to play your own blues guitar solos. Great! You have a blast of a time improvising. But soon you start comparing yourself to other guitarists. of Hazrat Mawlana Jalaluddin Rumi's work, regardless of who they are and Immersing oneself in the ocean of love and co.

Learning the blues guitar chords and The 12 bar blues rhythm is great, gets the toes tapping, the body moving. Great start, but where it really gets interesting is coming up with a great solo to play over this. Now this will put a smile on your face and create all kind of happiness, dancing and joy in your listeners and that is really what it's all about now, Isn't it?

Please be sure to check out the following related pages on this website.

Electric Blues Guitar

Blues guitar licks - The basic building blocks of a great guitar solo. How can they make you sound like a Pro? Blues guitar scales - Get these under your fingers and you're on your way to some really great guitar. Guitar finger exercises - How do you get fast, nimble, accurate, and gymnastic fingers? Guitar fretboard - Never get lost on the fretboard again. Here's how. Guitar speed training - Do you know how to get fast on the guitar? Links to useful websites. Not only will you get better at them, it's just a heck of allot of fun.

Once you have memorized each individual blues scale pattern blocks, practice moving between them, up a don the neck. If you have not memorized the fretboard I have an easy to use system for doing just that. You can find it here. D ownload a free Ebook containing free blues guitar scales I have the patterns illustrated here in the key of A.

They are totally movable up and down the neck. Take a careful look, memorize and practice each version. All trademarks and brands within this book are for clarifying purposes only and are the owned by the owners themselves, not affiliated with this document.

Want a Lesson With Me! You have just taken a big step towards improving your skill at guitar. Though Blues is only one genre out of many, the Blues is not only favored by many people, but it also has been a foundation for several other genres. Hence, its a useful skill to have in your musical repertoire. The Blues is a very interesting subject to cover; there are some strict rules, yet others are so open and vague that covering all the rules and exceptions would only confuse a willing student.

We will be covering rules that will make your soloing fun and easy, but only after youve practiced these rules for a little while. If youre reading this in the site Look Inside reader, heres a little more about what the book is about: What This Book Is First, you need to have a basic understanding of scales, especially major and minor scales in both natural and pentatonic forms 4 scales total.

We will review some of these scales, as well as introduce new ones. However, if you arent comfortable with scales at all, my strong recommendation is to download and read my book on the pentatonic scales. Guitar Pentatonic Scales: This is a very subjective statement, but I would consider the intermediate-level as the ability to play a series of notes riffs without interruption.

Sure, you may need to practice new riffs, but you are able to do it. If you dont have this skill, improvisation becomes very difficult because you need to learn two skills at once; improvisation, as well as figuring out how to mechanically play the notes. Third, know basic chords; at the very least you should know the major and minor chords.

The dominant 7th would be preferable.

Knowing how to play chords at any place on the neck is an invaluable skill. Though we will be seeing specific example, you may be interested in learning more, if so, you may be interested in reading my book, Guitar Chords Handbook: The fifth scale degrees chord on a diatonic major scale is a Dominant 7th, but in the Blues, the Dominant 7 is used over all other major chords the first and fourth scale degrees.

There will be enough theory to understand the Blues, so theres no reason to fret. If by the end of this book its still a bit confusing, try my book Guitar Modes: Most of the valuable material will be for right-handed players use their left hand on the frets. Chapter I - Refresher on Natural and Pentatonic Scales Soloing is much easier when you know the appropriate scales; scales are a sort of cheatsheet for guitarists to play the blues, since the right scales contain all the right notes for you to play.

You are the one that gets to choose which notes you want to play, as well as when you want to play. This is the basis of improvisation. When youre improvising, youre trying to communicate a thought or feeling through the guitar.

Scales to Chords to Pentatonics Since you know the major and minor scales, well review them quickly and show the connection between them.

As you already know, the major scale has 7 distinct notes, and follows a certain set of intervals. Heres C major as an example: The first note of the scale is C. Thats why its bolded. The relative minor to C major is A minor. You can find the relative minor by taking the majors root C in this example , and going down three semitone.

Both scales use the same framework, except they begin on different places. What is need is that we can use this framework of the major scale for other key. A very simple way of doing this is to change the notes into scale degrees. This is how I prefer to teach, so most of this book will feature scale degrees.

How To Find Your Favorite Guitar Tabs

Lets finally give the minor scale its independence by give it its own scale degrees relative to its roots. The 2nd and 6th are removed from the Natural Minor to create the minor pentatonic. Here is the connection between the major and minor pentatonic; on the left side, you have the major scale, on the right, the minor scale.

A major, C major, G major, E major, D major.

Blues Guitar Lesson Book

Little did you know is that you were playing chords that would help you connect the scales in your mind. What do I mean by this? I mean that the guitars scales are very connected, and the chords help connect these scales in your mind. To begin, lets find the every root on your fret board. In this example, well do this on F major.

Blues Guitar, Chords, Tabs, Lyrics, Lesson and Learning Tips - Titles index page

Check the example below. Remember that the 4th and the 7th are removed to create the major pentatonic. Every single one of the chords above play F major, but by using different shapes C major, D major, etc , you can play the F major and any other chord all over the neck.

They are interconnected. Theres a very distinct pattern here that you should practice and memorize. When you look for it, youll always know how to find the root of any chord youre playing. Minor Scale: When soloing, these positions are the easiest way to find home base, giving you an anchor from which you can go in any direction you please. There is not only the relative major and minor which are next to one another , but any one position and root could be both major and minor.

Unfortunately, this is only a partial analysis of the major and minor pentatonic scales. This is because we could spend the entire day talking about the pentatonic scales, and that isnt the scope of this book. I have, however, written a book that extensively covers. If you want the complete, unabridged version, check it out here: Then, cut off the respective notes to create pentatonic scales. Firstly, look at whether the letters above the chords are upper-cased or lower-cased.

If it is upper-cased, its major.

If it is lower-cased, its minor. The I is the root of a major key.

The other chords are basing themselves off the notes of this major key. They play a role in chord progressions; notice that the first I , fourth IV and fifth V chords are major. These chords are a crucial part of 12 bar blues. The modes based themselves off of these chords. Modes are quite interesting since youre playing the same major scale, but youre starting at different points.

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Just like the chords, the first, fourth, and fifth scales are major. If you start from the I scale degree and move up to the I scale degree, you have the Ionian natural major scale. If you start from the ii scale degree and move up to the ii scale degree, you have the Dorian scale. If you start from the iii scale degree and move up to the iii scale degree, you have the Phrygian scale.

If you start from the V scale degree and move up to the V scale degree, you have the Mixolydian scale.

If you start from the vi scale degree and move up to the vi scale degree, you have the Aeolian scale natural minor.

If you start from the vii scale degree and move up to the vii scale degree, you have the Locrian scale. If you change the key of the song, youre essentially shifting that set of chords, making the I chord the root of the key. Minor Key You can also start that set of chords with the Aeolian natural minor , which means that you start the sequence at a different place. The relative minor key starts on the vi scale degree.

We can rename the scale degrees in order to make the root the centre and give it a sense of home-base. The chords above mean that if youre in that specific minor key, then the chords in the example will sound quite nice. What are the extended chords? In short, they are chords that add extra notes; they give the chord a jazzy feel.

The most common extended chords include either a 9th, 11th, or a 13th note in the chord. If you include the 9th, 11th or 13th in your scales or solos, youre playing extended notes.

You might also like: SARAH AXTEN BLUE FINS PDF

These notes are very similar to the scale degrees weve already covered. As you go up the scale, you reach the root note; you can call it either the 8th or the 1st. As you move along, you move up as though youre building off of the 8th note. Thats where you get 9th, 11th, and 13th notes. Lets apply this example to a major scale; you have the same notes, but they are named differently. Chords use this concept as well; if a chord features a 9 in its name, then the 9th note of its respective scale is heard in the chord see below.

If a chord features an 11 in its name, then the 11th note of its respective scale is heard in the chord see below.

If a chord features an 13 in its name, then the 13th note of its respective scale is heard in the chord see below. There are three types of 9ths, three types of 11ths, and three types of 13ths; major, minor, and dominant. They are identified with the 3rd and 7th notes.

For instance, a major 9th, 11th, or 13th chord needs to include the major 3rd and the. A minor 9th, 11th, or 13th chord needs to include the minor 3rd and the minor flat 7th.

A dominant 9th, 11th, or 13th chord needs to include the major 3rd and the minor flat 7th. A typical 12 bar blues chord progression looks something like so:.

Though E7 is the tonic chord, do we base everything on the E7 chord?If you include the 9th, 11th or 13th in your scales or solos, youre playing extended notes. The relative minor key starts on the vi scale degree. I could go into a long explanation of what I mean by that, but I'm going to keep this simple so you can see results fast.

Here is a list of scales you can play. The attached lesson sheets feature the 5 positions of both the A minor pentatonic and the A major pentatonic scales. Heres why: If youre a budding guitarist and want some one-on-one time with a skilled guitarist, look no further!

Its much like a minor arpeggio, but it contains a major 6, which in accentuated instead of the 7. Recording of this publication is strictly prohibited and any storage of this document is not allowed unless with written permission from the publisher. Stated otherwise, each scale occupies one position on the neck.

MANDIE from Mobile
I fancy majestically . Look through my other articles. I have always been a very creative person and find it relaxing to indulge in blacksmithing.
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