FEEDBACK DESTROYER FBQ User Manual. Thank you. Thank you very much for expressing your confidence in BEHRINGER products by downloading the . (Check out for Full Manual). Quick Start Guide. FEEDBACK DESTROYER FBQ Automatic and Ultra-Fast Feedback Destroyer/ Parametric. FBQ Product Information Document. One Smart Solution. Using an ultra-fast feedback Check one out at your nearest BEHRINGER dealer today.

Behringer Fbq1000 Pdf

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Using an ultra-fast feedback detection algorithm, the FBQ automatically and. “intelligently” locates up to 12 feedback frequencies per channel. View and Download Behringer FEEDBACK DESTROYER FBQ manual online. Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ . Automatic and ultra-fast feedback destroyer/Parametric EQ with 24 FBQ Filters. Feedback Destroyer FBQ Stereo Equalizer pdf manual download.

It's claimed to be faster in operation than its predecessors and, as the model number suggests, incorporates 96kHz, bit technology. First Impressions The FBQ's general appearance and styling are very much in line with the general look for the Behringer range of rack processors — the 1U black-and-silver face-plate is very familiar — but this model is blessed with a distinctive layout for the displays and control groupings, which, for some reason, lean to the right of the panel, a bit like handwriting that slopes forward.

It does look slightly strange to me straight out of the box, but overall the styling is neat and businesslike. The rear panel of any rack gear generally gives a good idea of what it does, so let's start there.

behringer fbq1000 feedback destroyer manual

There are three MIDI connectors, too — In, Out and Thru — which are used to receive, pass and transmit various control instructions and may also be used for future operating-system updates.

As with all Behringer gear, the mains power supply is internal and can accept anything from V to V, at either 50Hz or 60Hz.

Turning to the logically arranged front panel, the controls are mainly push-buttons and are arranged in two banks of six either side of the main filter-status display, which occupies the centre of the panel.

To the right is an LED numeric indicator and a rotary setting control, and at the far left-hand end is a stereo input-level meter featuring three-colour vertical LED ladders with an input clip indicator at the top of each. Finally, we have a recessed power switch, always a welcome inclusion on the front of any outboard gear, in my opinion.

Functionality I'm a big fan of automatic feedback suppressors for general-purpose live work; indeed, they've got me out of trouble on several occasions. The various models available are all quite similar, in that they automatically detect feedback frequencies and assign a suitable width and depth of digital filter to knock out the offending one s.

Behringer FBQ1000 Feedback Destroyer

As technology has progressed, the filters have become narrower, thus having a less detrimental effect on overall signal quality, and the devices have also become much faster at detecting and removing unwanted feedback. Differences between devices are more apparent in the method of operation, particularly in how the user sets them up. This new Behringer machine takes the technology a stage further, by introducing an interesting and rather different setting-up method the 'auto learn' function , which is completely automatic.

In addition to its feedback-suppression capabilities, the FBQ also functions as a fully configurable parametric equaliser, and it can actually perform both functions at the same time, by simply assigning a number of filters to each task.

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As with earlier Behringer feedback eliminators, the FBQ starts working as soon as it is powered up and detects signal passing through, and will always assign the automatic filters to any feedback frequencies it can detect, up to the maximum number of available filters ie. On Display Obviously, we need to feed in a signal for the FBQ to do anything; the dual vertical LED meters on the front panel indicate input level.

There are eight LEDs per channel, left and right, and the clip level represents the maximum input level before digital clipping will occur. In the centre of the front panel is the main filter-status display. Each channel has a horizontal arrangement of 20 red LED indicators that represent all the filters available. An LED will light either if that particular feedback filter has been deployed or if a manually-set Parametric EQ filter is active.

A third display shows parameter values and works in conjunction with the rotary controller knob. The three-digit LED display shows actual values and the small LEDs below will light up to indicate what the displayed value means — for example, Hz, dB, minutes, and so on. The display side of things is very well covered by these three sections, and the LEDs themselves are bright and easy to read from a few feet away.

The main display is also used when you're setting the filter types Auto, Single-shot or PEQ and a quick press of the appropriate button will light up the corresponding number of filters of that type, which is a useful check. The Knobs Apart from the rotary control, which is used for parameter adjustments, all the remaining controls are simple push-button types.

They need only a light touch but operate with a positive and audible click. There are a few combination operations that involve two buttons being pressed simultaneously, but all the most basic functions are accessed via individual buttons, which keeps life nice and simple. Some functions have two-stage access, depending on whether the button is pressed briefly or held for a second or so.

Some of the buttons access a function that's obvious from their label — for example, pressing the one marked Speech will make the unit operate in a less discerning way than for more critical music applications, and will apply more vigorous attenuation at a lower feedback level.

The FBQ's rear panel. Photo: Mark EwingThe button labelled Reset is pretty straightforward, too, but it has the two aforementioned levels of operation: a short press will erase and reset all automatically set filters, leaving the preset or single-shot filters alone, but a longer press will clear the whole lot.


The Freeze button is pretty handy: whenever a combination of filter settings is working really well and you don't want any more automatic adjustments to be made, pressing this button will store and deploy all current filter settings, until the Freeze mode is cancelled with another single press. As far as I can tell, the unit always clears the filters but not the filter types when it is powered down, unless the Freeze facility has been used to store the settings. Once an Automatic feedback filter has been deployed, how long it remains in place can be adjusted via the 'filter lift' button.

Once the DSPP Hopefully the article of Manual mode allows setting of up to 24 fully parametric filters with individual Delay Line, Noise Gate and Compressor. Page 2.

Thank you. Usor de folosit: cu setarea "Set-and-Forget" plus butonul Panic, Feedback Destroyer-ul este functional imediat.

Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and Behringer Feedback Destroyer Fbq Download free Behringer user manuals, owners manuals, Product reviews Automatic and ultra-fast feedback destroyer. FBQ Recording Equipment pdf manual download.

This powerful, high-performance 2-channel Feedback Destroyer features a parametric EQ and ultra-narrow FBQ filters for effective feedback minimisation all whileManual mode allows setting of up to 24 fully parametric filters with individual Plenty of options available to the user.

This can be done in the by now traditional way, by slowly increasing system gain with open microphones until feedback occurs at various frequencies, which will then be quickly detected and suppressed. In the centre of the front panel is the main filter-status display.

Each channel has a horizontal arrangement of 20 red LED indicators that represent all the filters available.

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