SOSTIENE PEREIRA EBOOK

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Sostiene Pereira Ebook

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Pereira maintains

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View all 19 comments. Everyone who might at any time need their faith in humanity restored. Young people: Nevertheless they are our stake in the future, the next generation that will have to deal with what the previous one left behind, whatever kind of a mess that is.

Pereir Young people: Pereira is no longer young. Reminders of his own mortality are knocking hard at his door, his heart is not so good, high blood pressure, he should lose a few pounds, since his wife died and left him alone with no other family he's let himself go a little.

He's not miserable, but he is complacent. He has a cosy job, editor at the Lisbon paper, now in charge of the weekly arts page, a new rubric which mostly consists of Pereira's own translations of 19th century French classics, which deliver him not a little satisfaction and pride.

The concierge from his apartment block comes in to do the cleaning and leaves him a meal prepared. He has built himself a tidy wee nest, a corner of the world where he can plod along at what he does, no worries. This cannot last. No sand in the machinery, no story.

The hot summer weather makes Pereira all the more aware of his physical decline. He sweats, he is short of breath, his heart races. His thoughts turn to death, so that an article in a literary journal which consists of an extract from a dissertation on the subject of death catches his eye. He rings the young man who wrote the dissertation. Arranges to meet this young man. And as he makes his way to their meeting place that warm summer evening in Lisbon, it becomes clear that there is another reason why Pereira's rather bland idyll cannot last: Even his decision to publish nothing but 19th century French classic tales in his arts section is a form of collusion with a dictatorial regime.

This is a situation in which it is impossible to remain neutral. Those who do not defy the system are collaborators. In translucent, quiet rhythms, Tabucchi sets out each careful, tiny step that Pereira takes towards following his heart. It is not an easy or sudden transformation, Pereira needs help along the way from those good people who challenge his complacency, who remind him of his better self, who give him permission to change.

Each tiny step, the help along the way. Heroism as a joint achievement, an act of courage by an individual, yes, but with many contributors. Tension is maintained throughout by the repeated use of the phrase 'Pereira declares', as in a testimony, which most vividly suggests a police interrogation. The temptation to sneak a look at the last page is almost irresistible.

Everyone should read this. Young, old, and all of those between. View all 30 comments. La storia di Pereira, un uomo tranquillo, innocuo, giornalista a fine carriera che scrive sulla pagina culturale di un piccolo giornale di Lisbona.

Un uomo normale quindi, non un eroe. Un incontro che inizia a lavorargli dentro lentamente, provocandogli conflitti interiori, domande senza risposta. View all 17 comments. Lo stile pacato e soffuso, quasi dimesso, di Tabucchi risulta indispensabile nel delineare il risveglio dal torpore; quella rinascita a cui noi, molti di noi, smettiamo presto di anelare.

View all 6 comments. Set in Lisbon in , when fascism was running riot across Europe, a lonely, obese middle-aged man follows his heart. Read it to discover one of the most unassuming heroes in literature. Eu afirmo, a par do Dr. Afirma Pereira que outros defendem o jornalismo como uma arma contra os regimes opressivos, permitindo difundir ideias novas e escritas revisitadas. Eu afirmo que reaproveitar conceitos arcaicos e revesti-los com uma nova roupagem, oferta aos leitores uma nova perspectiva sobre um mundo, que tem de ser livre.

Quella che sa di sopravvivenza e di amore vero per gli altri. Grazie, grazie, grazie. Those who Read. Obsessed suddenly and unexplainably with death Doctor Pereira seeks out a journalist who has written a magazine article on the subject. They meet at a restaurant. Monteiro Rossi is young, not obsessed with death but with life.

Charismatic, he reminds Pereira of the son he has never had and his own youth which he will not talk about. Monteiro Rossi has no interest in death. His interest is in life and living. The article turns out to be excerpts from his bogus thesis at school.

He is broke and de Obsessed suddenly and unexplainably with death Doctor Pereira seeks out a journalist who has written a magazine article on the subject. He is broke and desperately needs a job. Pereira surprisingly hires him to write obituaries in advance for writers and famous people who might die in the future. Then the newspaper, where he heads the cultural affairs section, the main and only employee, would not be caught shorthanded.

A pre-obit. Our hero is an anti-hero, languishing in the past out of sadness for the death of his wife and an undefined need for repentance.

Any steps taken into the present is met with the blinding light of the sun, the exhaustive heat sweltering sweat from his obese body. His weight like a gravitational pull keeps him rooted. Yet, with no announcement, even change in tone, he may also be seen as an unintended Christ figure. While he has not given up his life for mankind he has nonetheless given up living his life in search for a means of repentance.

How to repent for the death of his wife? He may struggle to keep her and their relationship alive by speaking to her photograph. Also, there is his work, the paper snuggled into the banal while performing back bending stretches to not offend Franco, whose shadow is beginning to cramp Portugal just prior to the war? Falling under its spell, Tabucchi creates a reading experience unlike anything I have encountered.

The simplicity of style packages profound ideas, flips stasis on its head uncovering touching moments bursting with significance. Will Pereira transform himself out of his withdrawal from life as we know it or will the ritualized comfort prove that the blazing sun and sweat of life outside of his small globe of existence is not worth it? Could, should, he live what the majority has agreed on is life? Does being, take place outside of the window he stares out from?

This makes the recalcitrant Rossi all the more attractive. This new son brought to him. While Pereira is maintaining, Tabucchi is exploring.

He seems to never stop exploring although witnessing this is near impossible. He works in the stealth of night. The impression of his being grilled by a member of authority, possibly there to maintain the order of society, to be sure no one is stepping outside of the proscribed bounds, is implied, felt. In this context he responds to the grilling which takes place throughout the story, by sticking to his position. Will he waver? Will there be change or will he maintain?

Over and over again it is repeated that Pereira maintains as he tells, sticks to his his story.

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This is the tension, the taught wire the reader is asked to cross with no net beneath. Though the tension is palpable the net is invisible. This is the magic Tabucchi performs without a stage, costumery, just another person passed in a crowd but whose mind is spinning threads of a perfected web. The narrator speaks to us at times in present alternating into past tense relating what Peirara is saying in describing the scenes and events of his life. However, at times he or she is unsure what is going on in the mind of Pereira who wants to keep his childhood guarded and unspoken.

The narrator offers us possible suggestions but clearly none conclusive. The narrator is not writing this story otherwise she or he would know what exactly what is going on with Pereira.

All of the information is provided by Pereira who is selective and has his own biases. It is told to us though by the narrator and is run through their filter, then through our own as readers. This is not to mention Tabucchi who is somewhere writing this though he is in hiding.

The strained potion we receive is diluted, possibly inflated, conjoined, distorted and distended. Almost within the grasp of his hand but never quite there. Like his, Requiem, A Hallucination, this is exalted writing while never appearing to be so. Not out of modesty but out of his poised craft Tabucchi remains hidden.

I highly recommend this book to anyone who is a Reader, I maintain. View all 28 comments. Mi dissi: Ma ancora non mi aveva convinto appieno. Qualche giorno fa, in biblioteca, ho incrociato nuovamente questo libro di Tabucchi. Tornato a casa, l'ho ricominciato per la terza volta e da subito sono rimasto profondamente colpito dalle sensazioni che la lettura ha suscitato in me. Ho fatto l'esperienza di ogni colore e odore dell'ovattata Lisbona di fine anni '30 sapientemente presentata nel romanzo.

Ho assaporato con Pereira le sue omelette alle erbe aromatiche e la sua immancabile limonata. Ho seguito col cuore in mano e le lacrime ben strette dietro agli occhi ogni singolo passaggio di questo meraviglioso romanzo, in grado di trasmettere costantemente una non del tutto spiacevole sensazione di indeterminata nostalgia.

Ora non riesco a non reputarlo un piccolo, grande capolavoro. Smorzate giungono anche le notizie dalla limitrofa Spagna, insanguinata dalla guerra civile che vede coinvolti repubblicani e franchisti. Di perseguire una fondamentale missione, in quanto testimone di ingiustizie e di repressione: Un tema sempre attuale, in questo caso proposto con una rara delicatezza. Lo consiglio con una passione accresciuta dalla lunga "frequentazione" che ho avuto con questo romanzo che, come i vini buoni, col passare del tempo riesce solo a migliorare.

View all 5 comments. View 1 comment. Si passa da una indifferenza permeante a un coinvolgimento sempre maggiore. Un libro che tutti dovrebbero leggere. Sono pagine, ma provocano una marea di riflessioni. View all 3 comments.

When a book makes you think. Pereira is an unusual hero: Pereira works as head of the Cultural Section in the local newspaper Lisboa at the period of increasing oppression of the Salazar regime in the Portugal of the late 30s, and despite the obvious internal repression in fascist Europe, he is not interested in politics.

His life is uncomplicated and easy going. But his peace of mind starts to change when he meets Mario Rossi and his girlfriend Marta, a young couple who start talking about terms like justice or revolution.

Pereira finds himself unwittingly or willingly involved with the young couple and starts helping them, triggering a series of symbolic events which make him rethink his entire existence and put his sense of justice to the limit. Despite it being a short novel, the story evolves at a pace that allows you to enjoy the smallest of details: And the lesson: Exciting and melancholic. This is a delightfully nuanced book with, I maintain, a nuanced title.

The quick particulars are that Pererira, a widower, is the culture editor for a Lisbon newspaper in Trouble is brewing, mostly elsewhere, but Portugal is leaning the wrong way. No matter for the apolitical Pereira who is more concerned for his deteriorating health, his heart taxed from overeating.

Into his life come a young man and woman, radicals. Will Pereira help? You only need to know one though. He meets a woman on a train, and she is reading a novel by Thomas Mann, in German. They share a pleasant lunch and Pereira learns that she is Jewish and that she is fleeing. Pereira laments with her. And she tells him do something. Experienced readers will not be shocked to learn Pereira first goes to a clinic for his health, a kind of sanitarium.

It was perched high on the rocks. And there was magic there; his health improves and he receives some guidance from the director of the clinic.

Some nuanced guidance, I maintain. Pereira seeks answers, too, from a framed picture of his deceased wife. I maintain that Pereira always had the answer. I said, to start, that even the title of this novel was nuanced.

It was published first in Italian as Sostiene Pereira. That has been variously translated as Pereira Declares and Pereira Maintains. They are both technically correct but I think there is a definite difference. To declare is to state absolutely and, frankly, regardless of belief.

To maintain is to state a personal view. Let me give an example having nothing to do with this book. I might declare: Donald Trump is a dangerous fool.

But if I maintain that view, I would say: I believe Donald Trump is a dangerous fool. The latter allows that there might be other views, and not necessarily incorrect ones.

Maintain also means: Like a car, or some more human chassis, or a movement. With that lesson in pedantry out of the way, let me declare that Pereira maintains. And maybe some Port.

I maintain. De conformismo, talvez. E para ser quem, exactamente? I enjoyed every minute spent with this book. It is short and it is presented as a mystery, two things I usually avoid. Still I ended up loving it exactly as it was.

You've got a journalist writing the culture section of an evening paper in Lisbon. It is He is apolitical, and yet the Spanish Civil War is in full swing and he is a journalist! Guernica has happened. What will wake him up? Will he wake up? He insists; he is only responsible for the culture page. He is I enjoyed every minute spent with this book. He is a widower and alone, without kids, not even a pet. But he has a photograph of his dead wife, and that is all he needs, he tells himself.

I am not going to tell you any more. In this thin book you get marvelous, funny lines. Picture a guy in his fifties or so. This is Pereira. A paunch in front, thinning hair and for lunch he eats omelet sandwiches, which he has to shove in a drawer when anyone enters his room. Then he orders his usual - "omelette aux herbes" and lemonade, with lots of sugar. This is the man that later proclaims, "I am a lone wolf and like it! You will have to read the book to find out. Later he sort of adopts a young man.

He has no son himself; he never had a son, but he knows that it is only to a son you must continually hand out money, so he says to the boy when he asks for pay before he has done any work, "I don't approve of your making a father of me. I find the writing intelligent and funny and well, I just love it. The book has a message. If something is wrong you just have to do something about it. Don't you?! I love how he, Pereira, speaks to his wife, or rather that photo he has of her There are other women too.

How they are described is equally perfect, be it merely a shapely arm, a shoulder or crossed dress straps. The author creates an image that the reader completes in their own mind, in their own fashion. I will finish with this: It is stated over and over again in the text.Il giardino del gigante. In fact, a good meal at The Zephyr. Alongside this, there is a concern for more philosophical discussions, or at least the ones that foster deeper reflections.

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