In Hohner created the chromatic harmonica. The harmonica Chromatic harmonicas have four notes per hole, and a side button. When the button is not. for me was impromptu baroque duets with SPAH vice president Mike Runyan. He played chromatic harmonica, I played alto recorder. While the chromatic. Octave harmonicas: tuning refers to the standard tuning pitch of the reeds. The octave reed set is CHROMATIC HARMONICAS (KEY OF C). 1. 2. 3. 4. 5. 6. 7. 8 .

Chromatic Harmonica Pdf

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must have: • a hole solo-tuned diatonic harmonica in the key of C, or Those students using or hole solo-tuned chromatic harmonicas will be able to. Chromatic Harmonicas. Tonal Layout for the Chromatic Harmonicas. downloadable PDF lesson plans with exercises and music notation/TAB;. Download the Table of Blues Warbles pdf. can and where you can't play slide turns in all of the keys on the harmonica. Blues Bends in G on C Chromatic.

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This is inappropriate, as it defeats the purpose of a chromatic-capable harmonica. They should instead train themselves so that they can play with only one or two harmonicas e.

That is, do not use trills as in pushing the buttons in and out. This is the exact reason why people claim harmonica is not an instrument but a toy I think people treat xaphoon as an instrument more than harmonica.

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Yes, a piece may be "close to impossible", but not "impossible"; this is common in classical music, which as Chmel had pointed out, may need ten hours per week to practice. Practice, practice, practice. Playing chromatically require such effort. Learn to read from the traditional notation instead of tabulature.

Aside from giving one the sense that it is truly an instrument, traditional notation also provide many information unavailable in other forms. Getting Over the Physical Movement limit[ edit ] A harmonica basically have the following physical limits: Horizontal movement Movement of blowing and drawing Slide movement One solution would be to make extensive use of lines which are based on the layout of the harmonica.

Lines that need 'limited' control over all the variables at the same time. This is basically the solution Toots uses in a very effective way. From many people's research, it would seems his legato is based on the double notes.

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Then there's the interval grid approach, which is by looking at sequences of intervals. There are various systematic ways of approaching these in composition and arranging. Recently there was talk on Slidemeister of an interval-based instrument-neutral study approach to improvisation authored by Joe Messina, a guitarist who also plays jazz chromatic in a non-Toots influenced style.

Something that simultaneously and systematically approached both interval-based patterns by this I mean outside the hierarchy of identified scales and harmonic considerations and action patterns on the harmonica. One special topic that should be paid attention is the C notes. Likewise, during an ascending passage, it would be best to use the upper C notes, as this allow a quick switch to D.

On the other hand, should I need to change the direction of breathing such as too much draw notes , it could be wise to do so during the Cs and Fs. While for that notes it would create a slight dissonance, it would be much better than create a much longer period of discord afterwards.

Ultimately, though, this depend more of the general flow and any other requirements when playing the melody.

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Pushing the slide in always raises the given note by one half tone. Because the pattern repeats every 4 holes, it makes it simpler for you to find notes. The 16 hole chromatic harmonic has a larger range than a flute, a trumpet or a guitar, but less than a piano.

Some of you have musical training, and you may be curious what the note range is on a hole chromatic harmonica, in terms of a piano keyboard. A 16 hole chromatic harmonica has a range from C3 which is the C below middle C on a piano, up to a D7. Slide Out.

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Slide In. That center line of numbers tell you what hole to play on.

Then, if you blow on the 2 nd hole with the slide out you get an E, and so on. The chart below has the same information in another layout, with all combined into one chart.

HOLE 1…all the way at the left of your harmonica. HOLE 2…the second hole. Why did they do that?

Well, it means you can play an F on a blow or draw, and that comes in handy. HOLE 3…third hole. HOLE 4…fourth hole.Why do I get so "crazy" on this subject?

This book does not require any previous knowledge of music.


Digital Sheet Music. Usually, the participants take turns selecting the songs and rotate playing the lead melodies. Likewise, during an ascending passage, it would be best to use the upper C notes, as this allow a quick switch to D.

Blow, Slide In. Murray, James Ramsey: Gounod, Charles:

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