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Apparently, the designations that elongate our names on our visiting cards belie the stark commonality in the ways we validate them. Meet Agastya Sen. Or simply August for the Sanskrit-naysayers.

A year-old-city-bred-booze-refuged-IAS-entrant-with-a-rural-posting lad. When he lands at Madna, a quintessential small town in the hinterland of rural boundaries, he takes the first bullet on his limbs when he stumbles upon things during his ride from the station to the guest house, witnessed hitherto only in documentary movies: broken roads, parched lands, dilapidated buildings, stripped walls and minimal civic sense. A second bullet lodges into his mind when he takes his first walk into the town: sparse shops, robbed hygiene, comatose wells, defeated fauna and more defeated people.

But the third bullet, like the last nail in the coffin, pierces right into his heart upon meeting his department on the first day of reporting to office: comfortable postures, wrinkleless foreheads, carefree laughs, peaceful meals, nonchalant hearings and undaunted indifference.

The entire setup, like an ephemeral nightmare, leaves him with a restless mind. And who has ever conquered that?

The atoms of thoughts that bang its surface with undiminished energy transport him to his relaxed, identifiable days in Delhi where along with his friends, he had swung cig-butts in the air and chortled while sucking at empty liquor bottles.

What the hell was he doing in Madna? What administrative overhaul can he bring to this town far beyond its expiry date?

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This alien space where the monsters looked like him in flesh but possessed the clandestine weapons to drive him mad with some acoustic buzzing of listless existence? I remember Bose was pretty upset about this and told Uma [da Cunha, the casting director], 'He doesn't even look at me.

Rahul got the state of Agastya right; his inner conflict. English, August was of course one of those films that had to be made in the English.

Slowly, after winning a National Award and recognition at festivals abroad, the film garnered a cult following.

It was also a time of technical shifts. Digital was beaming in the market.

English, August was also one of the first films in the country to use digital audio. He, therefore, locked his negatives at Prasad Labs in Chennai, one of the last remaining studios that still works with film.

But tragedy struck. A water spill, the lab said, spoiled the original negatives. Benegal was heartbroken.

I should have checked continuously, spoken to them about storage conditions. Benegal has spent the last decade or so finding ways to salvage the film.

The Taiwanese filmmaker Edward Yang who was on the jury of one of the festivals where English, August won an award loved the film and asked the Taiwan Film Archives to download a 35mm print.

There is a low contrast print with the French television network La Sept-Arte that co-produced the film. But restoring the film in the digital age is even more expensive than what it cost Benegal to make the entire feature.

I really have to fund it myself.International Shipping available. Today we learned the word blueprint which means something which acts as a plan, model, or a pattern for others to follow; a technical drawing; a basic design on which large scale implementation is done.

Chatterjee Spoken English Classes, Old Palasia, Indore Reviews

For this purpose, he decided to stay in a village from sowing to the harvesting season. In this English vocabulary lesson, you will learn how to use the word blueprint.

Writing Flag courses are designed to give students experience with writing in an academic discipline, in this case, History. Hence, it can be used for accurate identification of a person for investigation purpose.

In a project for DfT in , he reviewed the effectiveness of Personal Travel Planning projects in England and drafted guidance on future evaluation methodology.

Indrani Chatterjee

She has to look after her school-going daughter and an old mother. Benegal has spent the last decade or so finding ways to salvage the film. The ethereality of Agastya and his insipidity that acts as a function of class is truer perhaps of the urban millennials of today than it was ever before.

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