A pulsating psycho-thriller soon to be a major motion picture starring Christopher Abbott and Mia Wasikowska*One of Literary Hub's "Ten Works of Literary. Every night, Kawashima Masayuki creeps from his bed and watches over his baby girl's crib while his wife sleeps. He has an ice pick in his hand, and a barely controllable desire to use it. Deciding to confront his demons, Kawashima sets into motion a chain of events seeming to lead. Home · Piercing Author: Murakami Ryu Piercing the Autumn Sky: A Guide to Discovering the Natural Freedom of Mind. Read more · Vest Busters: How to.
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Get Free Read & Download Files Piercing Ryu Murakami PDF. PIERCING RYU MURAKAMI. Download: Piercing Ryu Murakami. PIERCING RYU MURAKAMI. Editorial Reviews. From Publishers Weekly. In this short, tense and brutally eloquent thriller from Japanese author Murakami (In the Miso Soup), Kawashima . documents or check out Piercing By Ryu Murakami by horizon-testnet. bestthing.info Learning online. You could get it as pdf, site, word, txt, ppt, rar and also.
Kawashima is deeply disturbed by the urge to take the life of his vulnerable daughter, well aware of his capability to commit this horriic crime against innocence.
His deep-seated fear of submitting to the compulsion drives him to look for a cure, which he concludes lies in killing someone else with the ice pick: Every time he studied this instrument, with its slender, gleaming steel rod that tapered down to such needle-like sharpness, he wondered why it was necessary to have things like this in the world.
How does abuse sufered in childhood afect the victims and determine their actions as adults? Why do some people experience violence as a form of cure? How does a split personality show itself? What happens when two schizophrenic minds cross paths?
What are the inluences of exploitation and its mute acceptance on a society? Is there a link between non-conform sexual practices such as sado- masochism and abused power?
For example, although he loves Yoko and Rie he cannot feel the joy and fulillment a family father is supposed to. Kawashima feels but cannot express his frustration with the necessity to share his private home with strangers and with his obligations as husband and father that have trapped him in a mundane life.
When they were dating, Yuko confessed to Kawashima that she had tried to kill herself with sleeping pills because her boyfriend had broken up with her. Kawashima did not criticize her because he could relate to her wish to end the pain.
After his father died when he was only four years old, his mother took all her anger out on Kawashima.
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She undermined his self- esteem by tying him up, beating and verbally abusing him until he was taken to a home for at-risk children. Now, in adult life, the traumatic childhood is breaking through.
In nerve-racking moments he feels watched by his mother, hears the voice of his alter-ego, and channels his confusion into a desire to pass on the pain to someone else. In the home for at-risk children Kawashima met many others who shared a similar fate.
For example, his friend Taku-chan loved pets but was only focused on himself and completely emotionless when he killed a rabbit.
At the age of 17 Kawashima moved in with his irst girlfriend, a stripper and prostitute twice his age. It is from that pivotal moment on that his alter-ego advises him on his actions. As a way of protecting his newborn daughter, escaping the cycle of fear and overcoming his sadistic urges, Kawashima is convinced that he must leave the sheltered family home and kill someone. His supervisor assumes that Kawashima only wants a break from his wife and teases him not to become infected with AIDS while away.
He writes down pages of details; thus, he considers his disguise, the location, the murder weapon, people who might see him before and after the killing, and other factors such as a fake name and accent, avoiding ingerprints by wearing gloves, and that he would have to immediately abort the mission if something went wrong. But who should be his target? It is from that pivotal moment on that his alter-ego advises him on his actions.
As a way of protecting his newborn daughter, escaping the cycle of fear and overcoming his sadistic urges, Kawashima is convinced that he must leave the sheltered family home and kill someone. His supervisor assumes that Kawashima only wants a break from his wife and teases him not to become infected with AIDS while away. He writes down pages of details; thus, he considers his disguise, the location, the murder weapon, people who might see him before and after the killing, and other factors such as a fake name and accent, avoiding ingerprints by wearing gloves, and that he would have to immediately abort the mission if something went wrong.
But who should be his target? Among the advantages of choosing such a woman was the fact that any search for her would be half-hearted at best, since she was unlikely even to be in Japan legally.
But it was essential that the lesh he pierced with the ice-pick be as white as possible. And now that he thought about it, not even a fair-skinned foreigner would do.
However, for the sake of advancing the plot at a quick pace Murakami only hints at such broader issues and does not develop them or intrude with authorial comment. He decides that a white-skinned Japanese woman employed by a service that caters to customers interested in sado-masochism is the best choice, and that the place to murder her should be a love hotel in another part of Tokyo. He intends to cut her Achilles tendons irst in order to hear a sound supposedly as loud as a gunshot — he has read this in a magazine — before stabbing an ice pick in her belly.
Suddenly he is aching for the company of an older woman — or for motherly love? Watching children like this, it was all too easy to see why their parents beat them. It was only natural to hate such kids, to ignore them and shower only your other children with love.
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Children are powerless, Kawashima muttered to himself. In efect his wife and child are the personiications of his typical male fears about commitment. Is this the reason why he wants to stab a woman in her belly — to simulate an act of abortion? Sanada is awakened when the secretary of her agency calls her to attend to a new client. She gradually realizes that she has slept for ifty hours because she took several strong Halcion sleeping tablets, but a cocktail of Alka-Seltzer and Vitamin C gets her back on her feet.
She mulls over her schooldays, personality change after graduation, currently low libido, wish to get a second nipple piercing once her sex-drive and self-esteem have returned, experiences with clients, and the piercing she got two months ago in order for the pain to make her feel alive. She was abused as a child, the sexual ofender being her father, which is why she is troubled by nagging voices, anger, guilt, drugs and suicidal tendencies.
Before leaving home to meet her new client she puts an all-purpose Swiss Army knife in her bag, which alerts the reader to the possibility that Sanada could use it as a weapon. In the lobby of the love hotel Keio Plaza, an attractive man talking on a phone gazes at Sanada, but seconds later he shouts at a woman on the other end of the line. Since both characters are schizophrenic and paranoid, their irst acquaintance immediately raises the tension. When they meet the narrative style shifts signiicantly because the third person limited point of view and the voices in their heads, presented as two irst person points of view, begin to interweave.
When Sanada disappears in the bathroom and Kawashima inds her there naked with the Swiss Army knife in her hand and her thighs full of bleeding wounds, one can predict that the further events will not unfold as Kawashima has hoped. Being confronted with this unforeseen and rather ironic situation he has to decide whether murdering a woman who already has a death wish may still cure him of his own fears. With psychological tricks he temporarily gains her trust and manages to overwhelm her, but she bits him badly during their struggle.
She will not go down without a ight, and this irst conlict between them is just the beginning of an unusual journey they must go together. In some respect the bizarre encounter between these two lawed yet compelling characters, their actions and their thoughts take on an almost comical dimension. I'd say 3 stars out of 5.
It was interesting enough and a quick read. I'm curious about the author's other work this was my first book I've read by him Sometimes graphic, often disturbing, and full of the twists one would expect to see from Ryu Murakami - but still never really see coming!!
Well worth the price, and well worth the time to read - a fascinating little slice of life book. People who know what it's like to be haunted by childhood trauma will find themselves wanting to read this book more than once.
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Currently Reading: Piercing - Ryu Murakami
I just finished reading it for the second time. The book always makes me feel lonely and depressed by showing me what the 2 main characters have been through in their lives and what they are doing to each other when their paths crossed just to feel something, to achieve something.
Hiwever, I don't know what made me come back to read it again; maybe sadness and depression depicted in this book has some kind of temptation in its own way. Piercing is about a man, a woman, and a sharp object.
It reads fast.
It jabs fast. And the writer doesn't care how you feel about it. I'm not going to bother tracing out the plot, because accepting or rejecting Ryu Murakami's work depends more on how perverse you find the world. In Japan, a shame-based society preoccupied with public image, Murakami's serial-murder of literary normality has been a relief to people exhausted by the old culture of tip-toeing around the truth.
If you're like me and have lost the ability to digest the mind-f--k propaganda of our own sugar-and-caffeine culture, Piercing is a welcomed breath of raw air. Murakami hides nothing, he fakes nothing, he lies about nothing. His morality is grounded only in exposure.
His treatment forces you to pay attention Many readers, both Japanese and American, will undoubtedly continue to misunderstand Murakami's work -- or will simply be repulsed by it. But he isn't writing for these readers. He writes for those of us trying to get beyond too much Hollywood fluff, too little coffee in our Starbucks cream shakes, and an over abundance of commercially-conditioned, puritanically-correct, life-affirming values, none of which comfort the tortured souls in Piercing.
Having read several of Ryu Murakami's novels, Piercing is one of my favorites. I enjoyed this book immensely! While the book has triggers for childhood abuse and violence, its amazing the innocence and discovery the author brings forth in his characters. Its truly an exploration into the psyche of abuse survivors, when things go horribly awry. Suggested for people who enjoy psychology, crime, and thrillers.
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Margaux Fragoso. Suffer the Children. Craig DiLouie. There's a problem loading this menu right now.Piercing Embed. Exactly what the gap consisted of he couldn't have said, but he knew there was one. Product details File Size: He handed her over to Yoko, who was waiting with a fluffy bath towel, and then he leaned back in the tub, leaving the pebbled-glass shower door partially open. It was only natural to hate such kids, to ignore them and shower only your other children with love.