which the Blessed Virgin Mary occupies in medieval writings. The presentation of the material. Jeffrey Eugenides's The Virgin Suicides as a Novel of Femal. ATLANTIS (December ): 27–40 ISSN Back to Myth and Ethical Compromise: García Márquez's Traces on Jeffrey Eugenides's The Virgin . Jeffrey Kent Eugen- ides is an American. Pulitzer Prize- winning novelist and short story writer. Eugenides is most known for his first two novels,. The Virgin.

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The Virgin Suicides by Jeffrey Eugenides. The narrator and his friends piece together the events that led up to suicides of the. Lisbon girls, brainy Therese. In a quiet suburb of Detroit, the five Lisbon sisters â?? beautiful, eccentric, and obsessively watched by the neighborhood boys â?? commit suicide one by one. This beautiful and sad first novel, recently adapted for a major motion picture, tells of a band of teenage sleuths who piece together the story of a twenty-year old.

Woodhouse made her proposal, but accounts differ as to his reaction. By the end of the book, the narrator can only elevate their case to the category of a public symbol that, as such, is subject to different interpretations. According to a third interpretation, the girls decided to kill themselves out of sympathy with the dying of the forests brought about by relentless industrialization In other words, in the last pages of the novel the narrator elevates the story of the virgins to the category of ethicopolitical metaphor of the whole country.

Furthermore, in both cases the girls have a dominant Catholic mother and a father who lacks the overbearing power of his wife. In both cases, the mother is defined as the guardian of virtue. Lisbon assumed a queenly iciness.

Lisbon once more took charge of the house while Mr. There are many more instances in this later novel of the castrating role of the mother and the absent role of her husband as pater familias. In the eighties, when the writer took his MA in Creative Writing, this critical approach was already very influential in US university programs Ruthven This powerful theme, frequently present in the three novels here considered, becomes further divided into a number of motifs.

In both books, the technique consists in the use, at the level of the story, of words that repeat the title of the novel. Although apparently it does not look like a very radical device, this strategy of repetition is clearly metafictional and may produce in the readers the impression of a crossing of narrative levels—the level of the story and the level of the physical book, on whose cover we can read the title.

The Virgin Suicides

Ultimately, this metafictional strategy textually evokes the modernist interest in mythical or circular time see Eliade Death and decadence lead us forward to the recurrent motif of funeral rites, also explicitly present in the three novels. By contrast, an ontologically transgressive autopsy precedes the funeral of the other sisters.

His strategy is carried out in such a way that his readers may perceive a metaphoric continuation of the ones into the others, with the houses becoming imbued with the spirit of their dwellers. What happens to the protagonists, deeply and magically affects the condition of their houses.

We should take into account that the ancient motif of the dismemberment of the body is one of the primitive rituals described by Frazer in The Golden Bough Later anthropologists, such as Joseph Campbell in The Hero With a Thousand Faces , , emphasized the ritualistic and representational character of this motif.

After Mrs. Lisbon decides to shut the house from the public gaze, a cloud starts to hover over its roof and the collective narrator assumes that the only explanation is Mrs. After the girls have committed suicide, their parents decide to have their house vacated of all things inside and sell it.

One of them was reevaluated by the development of psychology and its impact on modernist and postmodernist culture: the use of doubles or identical twin characters. In an exaggerated manner, in his novel Eugenides extends the motif of the double to all the sisters, despite the fact that they were not twins, as well as to the boys, infatuated with Back to Myth and Ethical Compromise 35 them, who collectively undertake the narration years later.

The Virgin Suicides

The motif offers a clear anthropological connection with the symbolic role of the tree as interpreted in The Golden Bough. This spirit is itself manifested in The Book of Genesis in the Tree of Knowledge, from whose forbidden fruit Adam and Eve ate, thus becoming conscious of good and evil, and of their own mortality. In The Virgin Suicides, though, the priestly role that the narrator explicitly attributes to the girls goes beyond their association with magic rituals referred to the divinity of trees — Their condition of virginity also connects them openly to the role played by the Virgin in Catholic iconography.

The obvious exception is Lux, who becomes a very promiscuous girl and has sex with a number of men on the roof of the Lisbon house. Gilbert and Gubar reevaluated this ambivalence from feminist premises in their groundbreaking study The Madwoman in the Attic Such a character also links them to old Mrs.

In addition, the girls are explicitly associated with the mythological sirens in their lurid attempts to attract the boys to their rescue Eugenides also re-enacts the dichotomy that modernist mythical discourse allotted woman both as an evil temptress and as the gentle mother of the Earth.

As stated above, the end of the novel eventually favors the mythical understanding of the girls as priestesses of Mother Earth who offer themselves as scapegoats in a fertility rite meant to bring about the regeneration of life , — This reading would obviously help us clarify the reasons for the recurrent use of notions of decadence, death, blood, and funeral rites mentioned earlier.

Besides these intertextual links enhancing the perception of a magical reality, three other features throw some more light on the grounds shared by both writers and on the ethical compromise that the writer from Michigan demands from the pages of his first novel.

For him, his writings are a symbol of his past and he tries to erase it by destroying the manuscripts together with all material traces of his previous life This time Mrs. He does so to tell the magical story of five girls, members of the same family, who committed suicide for reasons never fully explained,7 but who were finally elevated to the category of symbols representing the ethical necessity to fight back the decadence of their post- industrial patriarchal society — The sadness had started long before.

Before America. Some years ago, Amaryll Chanady 7.

Scholars have extended this view in the sense that magical realism sprouts from the critical analysis of one or different aboriginal cultures that were subject to colonization—mostly by European countries, while they were also frequently neo-colonized by the United States.

This situation suggests the existence of appropriate conditions in the USA for the manifestation of their own magical- realist mode Manzanas and Benito 49— Such condition clearly marks the existence of a dialogic contrast between the magical, collective and female-oriented realm, and post-industrial individualistic life in the United States.

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The Lisbon family—whose name suggests an Iberian stock—is Catholic and lives in a country where a multiplicity of cultures is trying to coexist under the premises of a post-industrial consumerist society. In this complex postcolonial site, Eugenides extends his censure of the status quo to the ecological and gender clash existing between post-industrial patriarchy and the magical spirit symbolized in the girls. The collision of cultures is, therefore, also an ideologically complex one, between patriarchal Catholicism—which easily adapted to the individualistic money-oriented corruption of the American Dream see Hume —89 —and the worshippers of an ancient female holistic wisdom that had been erased by it.

Such spiritual wisdom, therefore, is installed in the novel as guarantor of a pre-scientific pre-patriarchal, pre- industrial ethical code Levinas 82—84; Falzon 90—99 that, coming from an alleged matriarchal origin, allows for the inclusion of the other—in the Levinasian sense—while offering a clear contrast with patriarchal life-denying individualistic codes. Written by a contemporary US author who belongs, it should be borne in mind, to the dominant white class even if hyphenated , The Virgin Suicides openly demands the return of an invigorating sense of purpose, an ethical coming back to the values of collective identity and the restoration of the bonds between human being and nature, self and world.

Such an impulse offers readers the possibility to enter an ethical dialogue with the more prosaic and pragmatic implications of living in contemporary post-industrial USA Falzon 57— By resorting to literary sources that belong to a cultural line critical of mere realistic—and minimalist—representations of reality, in his intertextual and dialogical analysis Eugenides ultimately defends the existence of an alternative understanding of life where values still mean something important, even if we cannot fix their origins in any precise categorical manner.

Postmodernism in Contemporary American Fiction. Bowers, Maggie Ann Magic al Realism.

London: Routledge. Princeton: Princeton UP. Peter Hinchcliff and Ed Jewinski. Waterloo: U of Waterloo P.

Christie, John S. Eliade, Mircea : El mito del eterno retorno. Madrid: Alianza. Eugenides, Jeffrey The Virgin Suicides. London: Bloomsbury. New York: Farrar, Straus and Giroux.

Abridged ed. The father, Ronald, is a math teacher at the local high school. The mother is a homemaker.

The family has five daughters: year-old Cecilia, year-old Lux, year-old Bonnie, year-old Mary, and year-old Therese. Without warning, Cecilia attempts suicide by slitting her wrists in the bathtub. She is found in time and survives.

A few weeks later, their parents allow the girls to throw a chaperoned party at their house in hopes of cheering Cecilia up. However, Cecilia excuses herself from the party, goes upstairs, and jumps out of her bedroom window. She is impaled on the fence post below, and she dies almost immediately.

The Lisbon parents begin to watch their four remaining daughters more closely, which isolates the family from their community. Cecilia's death also heightens the air of mystery about the Lisbon sisters to the neighborhood boys, who long for more insight into the girls' lives.

When school begins in the fall, Lux begins a secret romance with local heartthrob Trip Fontaine. Trip negotiates with the overprotective Mr. Lisbon to take Lux to a homecoming dance, on the condition that he finds dates for the other three sisters.

After winning homecoming king and queen, Trip persuades Lux to ditch the group to have sex on the school's football field. Afterwards, Trip abandons Lux, she falls asleep and misses her curfew.

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In response, Mrs. Lisbon withdraws the girls from school and keeps them home. Lisbon also takes a leave of absence from his teaching job, so that the family can be together all the time. Through the winter, Lux is seen having sex on the roof of the Lisbon residence with unknown men at night. The community watches as the Lisbons' lives deteriorate, but no one intervenes.

After months of confinement, the sisters reach out to the boys across the street by using light signals and sending anonymous notes. The boys decide to call the Lisbon girls and communicate by playing records over the telephone for the girls to share and express their feelings.The Virgin Suicides by Jeffrey Eugenides ebook.

Click here to sign up. Lisbon withdraws the girls from school and keeps them home.

He received an MA in Creative Writing from Stanford in , but, before graduation, he had been working in India with Mother Teresa of Calcutta, a fact that already indicates his concern with ethical issues. Their condition of virginity also connects them openly to the role played by the Virgin in Catholic iconography.

As the boys wait, they explore the house. Lacking transcendental values, the lives of these characters were described in apparently simple realistic terms in the most highly prized fictional works written in the latter years of the twentieth century.

Afterwards, Trip abandons Lux, she falls asleep and misses her curfew.

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