LOGIC PRO 9 ADVANCED MUSIC PRODUCTION PDF

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Logic Pro 9. Advanced Music Production. David Dvorin with Robert Brock. Find the media files for this eBook at: bestthing.info . This books (Apple Pro Training Series: Logic Pro 9 Advanced Music Production [ DOWNLOAD]) Made by David Dvorin About Books Apple Pro. apple pro training series logic pro 9 advanced music production Logic Pro X - Apple Pro Training Series - PDF eBook As I mentioned, I'm a beginner to .


Logic Pro 9 Advanced Music Production Pdf

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I went through its predecessor first and as a long time user of Logic, went through it quickly. This book however goes into areas that I haven't used before.

I was particularly impressed with the chapter devoted to session management and backup procedures as this is something never mentioned. The chapters are easy to follow, the instructions are at the perfect level for the reader, the techniques covered are broad and the examples are well thought out. This book should be required reading for anyone genuinely interested in improving their skills in Logic to a pro level. I can only hope they would release a book for a possible version 10 of Logic.

You don't need the physical book and the DVD. As I've written here before, I'll qualify my review by saying I've used Logic in various forms all the way back to the C-Lab days in the early 90's in some form or the other.

Apple Pro Training Series: Logic Pro X: Professional Music Production

Since Apple has downloadd Logic from Emagic, it has become a lesson in efficiency and design. With this one book, the author fills the void that has heretofore been missing for us Logic users wanting to go "the extra mile" with our productions and knowledge. I download and evaluate every single book on Logic, as I teach several courses on recording, mixing, mastering, and production, using various methods.

My main program is Logic, even though I had gone through a brief Pro Tools phase because everyone else was doing itnot a "mistake", but I feel the name "Pro Tools" misleads too many into thinking that it is the "best"their marketing certainly is. Succinctly, just let me say if you're a Logic user, you need this book. Kudos to the authors, and Kudos to Apple for evolving and maintaining such a fantastic and downright magical piece of software.

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No notes for slide. Book details Author: David Dvorin Pages: Peachpit Press Language: English ISBN Description this book Apple Pro Training Series If you want to go beyond the basics of creating and producing music with Logic Pro, this Apple-certified guide is for you. Full descriptionClick here dfhzdthbtrbgf45yrgf. If you want to download this book, click link in the last page 5.

6 Best + Free Logic Pro X Tutorial & Course Online [2019] UPDATED]

You just clipped your first slide! Clipping is a handy way to collect important slides you want to go back to later. Now customize the name of a clipboard to store your clips. Visibility Others can see my Clipboard.

Cancel Save. Loops usually work best when used at or near their original tempos, so lets change the project tempo. Tip You can change numerical values in Logic Pro X two ways: drag the value up or down to increase or decrease it, or double-click the value and enter the desired number.

The loop plays back at the 92 bpm project tempo. The loop does seem to groove better at the slower tempo.

This loop has a nice funky feel, and you are going to use it as the beat for your music project. The workspace is the area below the ruler and to the right of the track headers, where regions are arranged to build a song. The loop is imported, and an audio region is placed on the audio track at the very beginning of the project. An alert asks if you would like to use the tempo information embedded in the loop.

The Loop Browser shows that the Good Life Beat original tempo is 88 bpm, a little slower than your current 92 bpm tempo. You will use that new tempo.

In the control bars LCD display, the project tempo changes to the tempo of the loop. The displayed tempo may be rounded off by 1 bpm.

Your project now contains a single drum loop on a single track that plays only during bar 1.

Music Production Training and Tutorials

Its the most basic project, just enough for you to dive into the basic tasks of positioning the playhead, and starting and stopping playback. Later you will use those navigation chops to preview bass lines while listening to your new drum region, and add more loops.

Navigating the Project One of the big advantages to producing music with a computer is that the whole song is laid out right before your eyes. This representation makes it extremely easy to jump to a specific part of the song, start playback, quickly return to the beginning, or continuously repeat a section.

Logic offers many ways to navigate your project. In the following two exercises, you will use the transport buttons and their key commands, and you will learn how to continuously repeat a section of the project, which will allow you to keep playing the drum loop while you preview bass loops. Because many producing tasks are repetitive, you may find yourself playing, stopping, and positioning the playhead every few seconds.

Minimizing the time it takes to perform these basic operations will greatly improve your workflow and save valuable time. Although you may initially find it easier to click transport buttons with the mouse, moving a mouse with your hand while keeping your eyes on the screen is actually a time-consuming task.

Using key commands to control playback can significantly reduce that time, increasing your workflow efficiency as your fingers build up muscle memory. To fully master key commands, you first need to understand key focus. To start this next exercise, you will preview an Apple Loop to make sure your Loop Browser has key focus. Notice the blue frame around the Loop Browser. It indicates that the Loop Browser has key focus and is ready to respond to all Loop Browser key commands.

Only one area at a time can have key focus. In the Loop Browser, the selected loop starts playing. Now lets give key focus to the Tracks area. The blue frame appears around the Tracks area to show that the Tracks area has key focus. When multiple panes are open in the main window, you can press Tab and Shift-Tab to cycle the key focus forward and backward through the panes.

In the Tracks area, the playhead starts moving, playback begins, and during bar 1, you can hear the drum region on your track. The Tracks area has key focus so the project starts playing back rather than playing the loop selected in the Loop Browser. To navigate your project, you can also click the transport buttons in the control bar.

The playhead stops, and the Stop button is replaced with a Go to Beginning button. The playhead jumps one bar forward each time.

The playhead jumps one bar backward each time. Tip To fast-forward eight bars at a time, press Shift-. You can also position the playhead precisely where you want it by clicking in the ruler. To start or stop playback at a specific location, you can double-click the lower half of the ruler.

Playback starts from bar 3. You can also position the playhead without interrupting playback. You can again hear your drum loop. Playback stops and the playhead moves to the location you clicked.

Continuously Repeating a Section Sometimes when you are working on a specific section of your project, you may want to repeat a section multiple times without stopping playback. As youre working, the beat keeps going, and you no longer have to manually relocate the playhead. You will continue building your project by adding a bass track. To determine which bass loop works best with your drums, you will use Cycle mode to continuously repeat bar 1 as you preview bass loops in the Loop Browser.

You need to adjust the cycle area so that it spans the same length as the drum region.

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To do so, you will first select the drum region, which was deselected in the previous exercise when you clicked the background of the workspace. The region is highlighted to indicate that it is selected. When choosing a menu command, the corresponding key command usually appears to the right.

In the control bar, the Cycle button is turned on and in the ruler, the cycle area turns yellow, indicating that Cycle mode is enabled. The cycle area shows the section of the song that will repeat.

The start and end position of the cycle area, called left and right locators, match the start and end of the selected region, and the cycle area goes from bar 1 to bar 2. When you choose Set Rounded Locators by Selection and Enable Cycle, the locators are always rounded to the nearest bar, so repeating the cycle area keeps the groove going. The playhead starts moving, and your drums play.

When the playhead reaches bar 2, it immediately jumps back to the beginning of bar 1 and continues playback.

While your drums continue playing, you can preview some bass loops. All keyword buttons are disabled. For the bass loops, lets limit the search to a specific musical genre. Only loops from the Hip Hop collection are displayed in the results list. Since we know loops typically work better when played close to their original tempos, lets sort the results list by tempo and look for loops that were produced at or around 88 bpm.

The loops in the results list are sorted by increasing tempo. Note As you scroll the result list you may see some loops that are grayed out, with a down-arrow icon next to their name. This means those loops are not installed on your Mac.

To download and install one of those loops, click its down-arrow icon. After a moment, Logic syncs the loop with the project and you can hear it playing, grooving along with the drums in your project.Cancel Save.

Depending on the Logic content installed on your Mac, you may see more results when searching for media. In its default configuration, the main window has three areas: Control barThe control bar contains buttons to toggle areas on and off; transport buttons to control playback operations such as play, stop, rewind, and forward ; information displays to indicate the playhead position, project tempo, key, and time signatures; and mode buttons such as Count-in and Metronome.

This book fills the gap. The loop is selected, its blue loop icon turns into a speaker, and the loop plays.

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