Our Band Could Be Your Life Scenes From t Azerrad Michael - Ebook download as PDF File .pdf), Text File .txt) or view presentation slides online. punk. Our Band Could Be Your Life by Michael Azerrad is Music This is the never- before-told story of the musical revolution that happened right. Effing fantastic history of some of the best and most important bands and record labels of the American independent underground music movement. The stories.
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Download PDF Our Band Could Be Your Life: Scenes from the American Indie Underground , PDF Download Our Band Could Be. Our Band Could Be Your Life: Scenes from the American Indie Underground [Michael Azerrad] on bestthing.info *FREE* shipping on qualifying. Editorial Reviews. From Publishers Weekly. Nirvana's mega-bestselling Nevermind was credited with dramatically altering the American pop-musical landscape.
I knew some cursory anecdotes about the Butthole Surfers, for example, but learning about the individual characters from Azerrad made me way more interested in delving into their body of work.
I often found myself reading each chapter with the albums that Azerrad name-drops pumping out of my iTunes library.
So much of it still blows me away or at least fills in the gaps on how we got to where we are like a fossil record for indie rock. Knee-jerk favorite chapter?
The stories about young Mike Watt and D. Their narrative, to me, was more relatable than a lot of the other bands in the book, and it made me want to really dive into their discography in a serious way. JDL: Yes!
I used streaming sites religiously while listening to this — that was probably one of the hardest parts about reading this book because I just wanted to listen to the band and stop reading about it. Although reading about the oscillating rises and falls of Sub Pop was pretty fascinating. I knew more about Sonic Youth probably than any of the other bands when beginning this book, although I never realized how savvy they were until the chapter about them.
Always with an eye on the Voice journalist, building a solid European fan base. I feel like a lot of the bands featured in OBCBYL had their grassroots efforts become realized through a cult following, or a stunning record like say, Zen Arcade that propelled them into critical and popular acclaim. Sonic Youth was so smart about navigating through the industry though, and their chapter was definitely my favorite to read.
Also — Thurston Moore and Kim Gordon forever and ever and ever and ever. The tension between Greg Ginn portrayed as the ultimate control freak and Henry Rollins portrayed as, well, a lunatic stands out as probably the most strange and volatile relationship in the book.
Where to start? There was something so endearing about the relationship between Watt and D. Boon, and their attitude toward art and punk is so accessible. I think it was easy for me to fixate on my impression that it was a judgmental and snobbish sort of scene.
I think for the first time, this book pulled back the curtain for me on what punk was really about. I hit Spotify hard along the way, because the music is largely still unfamiliar to me and found a totally newfound appreciation for, say, Husker Du, who one of my coolest, smartest friends has been telling me for years is his Number One Band of All Time. But it took me a long, long time to figure out why Nirvana was so important.
I was not into any kind of counter-culture until a good few years into my twenties.
I had no idea what it was to want to rail against any kind of system. I wanted very very badly to be in the system and fit in and have all the cool clothes from the mall. So to me, a guy like Cobain singing out against some of the things and ideas that I bought into so much, I thought he was a jerk.
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He never ceases to baffle! So I think we have people who are from varying degrees of familiarity with everyone here. Evan, you said that the Butthole Surfers chapter turned things around for you with the band, or at least made want to give them more consideration.
What was the biggest for anyone, either from going from never hearing a note to marathoning their catalog, or from never really liking them to kind of liking them now that you had context? In that sense, much of the aggression and rawness that is so wonderful about these records, I think, can be traced back to the strains in those relationships, the difficulty working together, and especially touring.
Mostly I was stunned at the claustrophobia that the book manages to wrap you up in. Oddly, it was Ginn who came off as the real jerk in the Black Flag chapter. His control freak nature was galling to me.
I mean, I know some bands work that way, with one person more or less as creative director. But I felt like I sympathized with Rollins more in that situation. On the other hand, if they had been more fond of each other, I doubt their songs would have been so taut, their performances as full of tension.
There was a lot of suffering for art in this book, but that kind of suffering — working with each other when they clearly differed in so many fundamental ways, put my teeth on edge in a way that reading about nightmare tour vans and diarrhea-filled pants never came close to.
Their expressions on page 30 told me all I needed to know about that.
Even the way he introduced Swope and his contributions to MoB. I thought those were some of the details that added real richness to the book.
What were some of the little tidbits that really stood out for you guys and made these legends more three-dimensional? Bring that back, please. No thank you.
Albini had a similar sense of purpose both as a musician and a producer. Fan-friendly perhaps, but even MacKaye was still ready to fight anyone at any time. For me, Sonic Youth is the band that absolutely gets buried in this book. They get lost among the larger-than-life personalities and childish shenanigans of so many other bands. Meanwhile, it seems like Sonic Youth, at some point, along with Jello Biafra, stepped in and aided almost every band that came up with them or followed.
Faking sick is not an option. Mascis because he reminds her of the Mystics from The Dark Crystal.
'Our Band Could Be Your Life: Scenes From the American Indie Underground 1981-1991'
But seriously, J Mascis. I will say, I liked how each band dovetailed nicely into the next band, either chronologically or stylistically.
I thought that was a nice aspect. I did find some of the storytelling choppy and abrupt. I think you made mention of that in reference to the Mission of Burma chapter, how it just sort of dropped off. There were some statements throughout the book that he just did not support with evidence. There were so many great tidbits, but the overall storytelling techniques could have used a little more finessing at some points.
EM: I think by its nature, the book depends on you being interested in its characters. This might just be me making too much of a nerd overreach, but each chapter feels like an individual comic book from the same series.
Our Band Could Be Your Life Scenes From t Azerrad Michael
Not all the time, but sometimes. If you were stranded in an airport with only one book to plow through, this would not be the book for you. But it was a scene — a nation-spanning attitude in time — that he was capturing. It was a similar journey, made unique from situation to situation by the personalities of various band members and also by how much an eye-witness was willing or able to divulge years later to Azerrad.
Not all books are meant to be read the same way. Now somebody do us all a favor and reign this back in. K thx. JDL: No no, the comic book thing makes a lot more sense to me, actually. I was still really upset offended? Is that — am I missing some sort of thing there?
Either way, Beat Happening had made their point. Beat Happening? Patrick Stickles performs with Titus Andronicus. You accomplish things by working within your means, and by keeping as much control of your own existence as possible. But, he says, there was certainly something about those years that caused people to take notice. It's kind of physically painful in a really wonderful way. A concert in Manhattan last night, organized by Azerrad for the 10th anniversary of his book, was a testament to that change — and signaled that the strength of the spirit that held indie rock together in its early days has persisted to a new generation.
Fourteen bands performed the songs of the indie icons profiled in Our Band, with lots of collaboration and cross-pollination. Vincent played songs by Big Black before a moshing crowd of young men, many of whom were born after the earlier band broke up. One of the most significant changes in the last three decades is the role of women on stage at indie rock shows.
Few women show up in Azerrad's book; most of them take peripheral roles. Of the 14 bands on stage last night, all but three include a female member. Annie Clark of St.Excerpted by permission. Throughout the years, the spirit of that particular period has endured as a guiding light to thousands of bands for whom there is no place in the mainstream.
And that was very punk. Prior to reading this book, I wasn't extremely familiar with the majority of the bands within it. But while the bravery and vision of such a move was admirable.
After learning to play an acoustic. You can find beauty in even the least aesthetically pleasing places and sounds. He says. RM: It read accurately to me. I hit Spotify hard along the way, because the music is largely still unfamiliar to me and found a totally newfound appreciation for, say, Husker Du, who one of my coolest, smartest friends has been telling me for years is his Number One Band of All Time.
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